
Moments in this movie take their place among the best scenes ever crafted for comedy. Which scenes? The football-pizza-
afro trifecta, for one, or the Jack Black in 
blackface faux pas. The ostensible premise is interesting enough, and the actual hidden premise is quite clever and Gatsby-
esque, in a Frenchman sort of way. I have only two complaints. First, the movie spends too much time recreating their 
swedings; though each is delightful, none beyond the first two or three contributes to the film's oddball charm or complicate its apparently simple structure. Second, could we not find a more Aristotelian way of magnetizing Jack Black? Electrocution by 
power plant? This is not probable. 

 But it takes real skill to pull off this kind of project, and I respect Monsieur 
Gondry for delivering another unexpected, unprecedented, practically unthinkable but undeniably pleasurable alternative to Bunuel. As much as I do enjoy my nightmare birds and bourgeois nymphomaniacs, I welcome a cuddlier kind of surrealism.
 
 
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